![]() ![]() In this set we see a stronger distinction, and see the strength of digital at night. I’m amazed I could get anything given the force of the wind. Both do a great job of conveying the intensity of the storm that was coming our way. It’s clear there is a lot more detail in the digital shot, but I’m really drawn to the film image. I switched between the Canon 24mm f/1.4 and the Canon 50mm f/1.2, so these are not precise comparisons. The images were taken with two different lenses. We were there at sunset, but a big storm was rolling over which made it look much darker. In this first set, you see the view from the Empire State Building toward One World Trade Center. I’m not fooling myself – the digital images are way better in terms of detail – but the film images aren’t too bad, and have a different feeling about them. I am always impressed with their professionalism and great service. They are your partners, trying to get you the best images possible. That’s one thing I really love about Richard Photo Lab – you have a relationship with the lab. Together we made the decision to process it normally and make adjustments in scanning. I realized my mistake after that roll was complete, so when I sent it off to Richard Photo Lab, we discussed how to process the film. So the camera simply used the last setting, which was 800. I generally shoot Metropolis at ISO 200, but while at the top of the Empire State Building in the middle of a storm, I ended a roll of Portra 800 and quickly popped in a roll of Metropolis without setting the ISO. Something that slipped my mind was that the Lomography film was not DX coded. So off I went with my Canon EOS R digital mirrorless camera, and the Canon EOS 1v film camera, with some Lomography Metropolis and Kodak Portra 800. Visiting the Empire State Building at sunset was on the agenda for our first evening. Our suite had amazing views of the Flatiron Building (sadly covered in scaffolding) and the Empire State Building. I was staying at the New York Edition Hotel, located in the Met Life Tower at Madison Square Park. I didn’t have much time in the city, but I wanted to capture a few images at night. My latest effort came on a weekend trip to New York City. That seems like a tall order, if not an impossible one. I want to be able to shoot film at nighttime handheld. I will use it when I make a point of shooting the night sky, but for walking the streets of a city, I can’t bear the thought of setting up a tripod to make an image. Part of the problem is that I hate carrying around a tripod. However, I wasn’t going to abandon the idea of shooting film at night completely, and still need to work to improve my skills in that area. I was willing to compromise convenience, but in my mind, film simply did not compare to digital photography at night. Finally, digital is better at handling low light situations. Digital is more economical, particularly after the initial investment in your equipment. It’s quicker to turn around the results of your shoot, even if you develop and scan your own film. The storage devices are smaller and easier to transport than film. I have never abandoned digital because digital offers some distinct advantages over film in several respects. Sold out Fuji 200 Color Negative Film 35mm – 36 Exposures $8.I have been a hybrid shooter since returning to film in 2014.Sold out Cinestill 50D – 35mm $12.99 Read more.Sold out Lomography 400 35mm 36 exp – (3 PACK) $27.90 Read more.Portra 800 is very well-suited to photographing moving subjects and working in low-light conditions while maintaining true color reproduction. Kodak’s proprietary advanced development accelerators and antenna dye sensitization also offer enhanced scanning and enlarging performance. Vivid color saturation and low overall contrast contribute to pleasing skin tones and neutral color accuracy, and a micro-structure optimized T-GRAIN emulsion renders a fine grain structure with high sharpness and edge acutance. It has a nominal sensitivity of ISO 800/30° along with a notable underexposure latitude for effectively pushing to ISO 1600 with maintained quality and extended highlight and shadow detail. Kodak’s Professional Portra 800 is a high-speed daylight-balanced color negative film optimized for use in difficult lighting conditions. ![]()
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